Saturday, May 31, 2008

Creative Commons and intellectual property-- reflections on fair use

Today's readings led me back to an interesting thread I noticed a number of people picking at during Computers & Writing this year: how loosely can we read fair use? I know that in my classroom I've started teaching students to look specifically for Creative Commons work (and to understand the different designations for each, which the comic for today explains much more succinctly than I ever have-- that'll be a handy link to keep around), but frequently my students want to use their favorite songs (it's music in particular, I find, though also copyrighted images) in their digital media compositions.

I'm sometimes hesitant to remind my students that they shouldn't use copyrighted music or images, as I don't want to stifle their creativity (and some of their work is driven by specific musical choices), but I also wonder if I'm doing the wrong thing by not making an even bigger deal out of their choices and the potential ramifications.

I also wonder if the law-- or at least the de facto interpretation of fair use-- will change in the next decade as more and more of the folks from my generation and younger generations start to ascend to positions of relative power. As I believe someone pointed out the first day (sorry-- I wasn't looking when the comment came-- it was someone to the back of the room), there's a much different sense of ownership over digital media among younger people (I've noticed there's even a jump from me to my students; they find downloading tv shows, movies and music to be a regular-- and seemingly perfectly fine-- activity). I wonder if that will change the way ownership over media is viewed, particularly in academic settings (where it seems our students should be allowed to use whatever they need to learn).

3 comments:

Cheryl said...

Phill, you are probably already familiar with these articles, given the number of people at MSU who are publishing in copyright and intellectual property areas, but for other folks, I wanted to offer my favorite articles/webtexts on these issues (including remix) from the last few years:

Hess, Mickey. (2006). Was Foucault a plagiarist? Hip-hop sampling and academic citation practice. Computers and Composition, 23, 280-295.

Hess, Mickey. (2006, Fall). "Was Foucault a Plagiarist?": Interviews with Count Bass D. C&C Online. http://www.bgsu.edu/cconline/hess/

Rife, Martine Courant. (2007). The fair use doctrine: History, application, and implications for (new media) writing teachers. Computers and Composition, 24, 154-178.

Johnson-Eilola, Johndan, & Selber, Stuart. (2007). Plagiarism, originality, assemblage. Computers and Composition, 24, 375-403.

DigiRhet. (2008). Old+Old+Old=New: A copyright manifesto for the digital world. Kairos: Rhetoric, Technology, Pedagogy, 12(3). http://kairos.technorhetoric.net/12.3/binder.html?topoi/digirhet/index.html

Plus, there looks to be three great articles on similar issues in the most recent C&C, on Media Convergence, edited by Jonathan Alexander (past DMAC Visiting Scholar ;). You can search for them on ScienceDirect.com.

Also, fwiw, check out other pieces in the manifesto issue of Kairos (http://kairos.technorhetoric.net/12.3), which show a range of citation practices in regards to digital media. Just goes to show that if you make a good argument for *not* citing (as Byron Hawk does in his piece) or for citing everything (as Remington and others do) as well as not-quite-up-to-snuff-but-there-are-publication-reasons-for-it citations (as in Watkins), you don't always have to stick with home-made or CC or public domain multimedia when you need to remix and/or cite.


Best,
cb

Douglas Walls, PhD said...

I only talk about this issue in terms of author function and plagiarisms where I find Danielle's article to be invaluable:
DeVoss, D., & Rosati, A. (2002). “It wasn’t me, was it?”: Plagiarism and the Web. Computers and Composition:
An International Journal, 19(2), 191–203.

Past that, I really don't feel that there are stable rules and I am not in a position to be someone else's enforcer about them. Then again, I can always call up Martine, show her something, and ask her if I will get in trouble for it. So I am kind of copping out :D

Douglas Walls, PhD said...

Try following this thread of logic on the issue:
Slashdot - Prince DMCAs YouTube To Block Radiohead Song